Pittsburgh New Music Net

Bask in that warm, post-championship afterglow with a recital by flutist Lindsey Goodman, pianist Robert Frankenberry, and vocalist Eva Rainforth as they perform chamber music featuring lots of Pittsburgh composers, today at Duquesne University. It’s a free concert at 3 p.m. in PNC Recital Hall and more details are here. Lindsey, a dedicated follower of Troysus, is encouraging people to bring their Terrible Towels, so how can you go wrong?

On the Saturday morning that Snowmageddon unleashed its fury on the region I had the pleasure of video chatting with flutist extraordinaire Lindsey J. Goodman about her upcoming Music on the Edge recital at the Warhol. Well known to local new music audiences for her exquisite performances with the Pittsburgh New Music Ensemble, Lindsey will share a recital with Anthony Coleman on February 27. She’ll perform three pieces for flute and electroacoustics—by Mathew Rosenblum, Jacob Ter Veldhuis and Russell Pinkston—and the world premiere of a solo flute piece by Grant Cooper. In the following audio interview, Lindsey talks about the different pieces on the program, her love for electroacoustic elements, and what she looks for when she’s thinking about tackling a new piece. She also gives a little preview on the upcoming PNME season.

As always, I encourage you to listen to the whole interview.

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

And here are some excerpts from the full interview. First of all, I asked Lindsey to describe what was on her program.

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

When I asked Lindsey about how her affinity for electroacoustic elements developed, her thoughts ranged from being able to perform “chamber music for one person” to how this genre is particularly relevant to our technological society.

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Russell Pinkston’s Lizamander is for flute and MaxMSP and Lindsey discussed both the intense satisfaction and the risks of working with live signal processing.

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Finally, Lindesy gave us a preview of the upcoming PNME season as well as some her new projects which include concerto performances and (maybe, possibly) recording projects.

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

For details about the concert visit Music on the Edge at www.music.pitt.edu/mote.

The Andy Warhol Museum
ProArts Tickets

Composer Pianist Anthony Coleman will perform his recent music including selections from his new release Freakish (on the Tzadik label) and Pittsburgh New Music Ensemble flutist Lindsey J. Goodman performs works with live electronics by Mathew Rosenblum, Jacob ter Veldhuis, and more.