Pittsburgh New Music Net

cutting-edge music in the ’burgh and beyond

Music on the Edge Chamber Orchestra

October 19, 2014
8:00 pmto10:00 pm


MOTE is excited to present the Music on the Edge Chamber Orchestra under the direction of Roger Zahab this October 19th at 8 p.m. in Bellefield Hall Auditorium. The series’ namesake orchestra is a an all-star gathering of accomplished local musicians. The program includes I give you the end of a golden string by Judith Weir (Master of the Queen’s Music), Roger Zahab’s Evening on 57th Street, Toru Takemitsu’s The Dorian Horizon, and Claude Vivier’s Zipangu.

Judith Weir, recently appointed the first female Master of the Queen’s Music, is the composer and librettist of several widely performed operas whose diverse sources include Icelandic sagas, Chinese Yuan Dynasty drama and German Romanticism interests in narrative, folklore and theatre have found expression in a broad range of musical invention. Folk music from the British Isles and beyond has influenced her music for solo instruments, and she has had strong links with performers from non-classical traditions. MOTE Chamber Orchestra director, Roger Zahab, has been a long time supporter of her music and has presented many of her pieces in Pittsburgh. In addition to his work as a musical director, Roger is a violinist who has premiered over 100 new works, and also a prolific composer whose works have been performed internationally.

Tickets are available through the University of Pittsburgh Stages Box Office, by calling 412-624-7529, or visiting music.pitt.edu/tickets. Tickets in advance: general admission is $15; students and seniors are $10. At the door: general admission is $20; non-Pitt students and seniors are $15. For Bellefield Hall Auditorium, Pitt students are admitted free with valid ID.

October 7, 2014 at 12:51 pm Comments (0)

Meridian Arts Ensemble

October 3, 2014
8:00 pmto10:00 pm

Meridian  copy

Music on the Edge is excited to open its 2014–15 season with Meridian Arts Ensemble. If you’ve been coming to MOTE concerts for a while, you may realize that this is the first brass ensemble on the series in years, quite the occasion! With nine critically-acclaimed commercial CDs, over fifty premieres, and performances on four continents and in forty-nine states under their belts, Meridian is America’s leading brass group exploring the music of today. Meridian’s exciting and ambitious musical approach has changed the face of brass chamber music; most notably by adding a percussionist to the mix, but also by pioneering new music in the brass ensemble repertoire. The ensemble is comprised of Jon Nelson (trumpet), Tim Leopold (trumpet), Daniel Grabois (horn), Benjamin Herrington (trombone), Raymond Stewart (tuba), and John Ferrari (drums).

Meridian’s October program will showcase works by Andrew Rindfleisch, including In the Zone and Four Fanfares for Two Trumpets, along with his arrangements of music by Stephen Foster (Ring de Banjo), James Thornton (When You Were Sweet Sixteen) and Walter Kollo (Warte, Warte nur ein Weilchen). A leading composer of his generation, Andrew Rindfleisch has produced dozens of works for the concert hall, including solo, chamber, vocal, choral, orchestral, and wind music. His committed interest in other forms of music-making have also led him to the composition and performance of jazz and related forms of improvisation. Rindfleisch will be attending the performance and available to answer questions about his compositions afterwards. Meridian will also perform Pitt faculty composer Amy Williams’ JB Clips, David Felder’s Canzone XXXI, and Renaissance master Giovanni Gabrieli’s Canzona per sonare no. 2.

Meridian performs on Friday, October 3, 8 p.m. at Pitt’s Bellefield Hall Auditorium. Tickets are available through the University of Pittsburgh Stages Box Office, by calling 412-624-7529, or visiting music.pitt.edu/tickets. Tickets in advance: general admission is $15; students and seniors are $10. At the door: general admission is $20; non-Pitt students and seniors are $15. For Bellefield Hall Auditorium, Pitt students are admitted free with valid ID.

For more on MOTE’s 2014-15 season, check out the season here or like us on facebook. 

September 19, 2014 at 2:59 pm Comments (0)

Garcia-De Castro performs for New Hazlett CSA

Federico Garcia-De Castro kicks of the new season of Community Supported Art with with a performance of music for two pianos at the New Hazlett. Daniel Pesca will Join Federico as the duo performs his Livre pour Deux Pianos, along with music by Simon Eastwood and Alexander Borodin. Federico will also perform his new solo piano piece, Rendering.

August 14, 2014 at 8:35 am Comments (0)

PNME Concert 2: The Cage Variations

July 18, 2014
8:00 pm
July 19, 2014
8:00 pm

City Theatre

The Cage Variations is a newly commissioned work from Ted Hearne constructed entirely from shards of music from contemporary American composers. Hearne melds, morphs and steals music from pre-existing works to create twelve variations on Charles Ives’ philosophical and hypnotic song “The Cage.” This colorful and prismatic program also includes each of the sampled works, in whole or in part, in its original form.

Works include:
Ted Hearne: The Cage Variations
Anna Clyne: Rapture
Morton Feldman: Patterns in a Chromatic Field
Ted Hearne: Furtive Movements
Robert Honstein: Burst (from An Index of Possibility)
Molly Joyce: Blue Swell
Amy Beth Kirsten: Pirouette on a Moon Sliver
Alex Mincek: For Petr Kotik
Philip White: Interlude
Daniel Wohl: Fluctuations (from Corps Exquis)
Scott Wollschleger: Secret Machines No. 2 and 3
Scott Wollschleger: I Is Not Me

With Timothy Jones, Baritone.

June 30, 2014 at 10:16 am Comments (0)

Pittsburgh Fringe Festival: ELCO and Shanna Simmons Dance

May 10, 2014
8:00 pm
May 11, 2014
2:00 pm

Winchester-Thurston Academy Dance Studio


E.L.C.O. and Shanna Simmons Dance reunite “We Sing The Body Eclectic” We Sing the Body Eclectic is a new work by collaborators Shana Simmons Dance and The Eclectic Laboratory Chamber Orchestra, their fourth collaboration in the past two years. The show takes the form of a long transition from sparseness to density, calm to agitation. Using orchestral and electronic instruments, words and movement, the audience will question their own perception of time.

May 4, 2014 at 3:44 pm Comments (0)

CAPA Antithesis and CAPA Elektro-Acoustik Ensembles Spring Concert

CAPA Antithesis and CAPA Elektro-Acoustik, the new-music ensembles of Pittsburgh CAPA 6-12, present a joint spring concert on Tuesday, April 29th at 7:00 pm in the CAPA Cabaret Theatre. Under the direction of Dan Lindey, the Elektro-Acoustik set will feature student compositions written to accompany the great silent film Nosferatu. Antithesis, conducted by Lenny Young, will perform several student works as well as compositions by Knut Nystedt, Nicolas Collins and Pittsburgh composer Roger Zahab.

CAPA’s Cabaret Theatre: 111 9th St. (corner of 9th and Ft. Duquesne, enter on 9th)
free admission

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April 24, 2014 at 4:01 pm Comments (0)

Please Turn Your Cell Phones On!

March 16, 2014
7:00 pm

Bellefield Hall Auditorium
Tickets: general admission $15; students and seniors $10.
Advance tickets are $12 and $8. Call 412-422-8042.
Children under 12 free.


IonSound Project’s next concert will include a wide array of music ranging from Arvo Pärt’s meditative Spiegel im Spiegel to the pop sensibilities of Telephone Book by Michael Torke. The program also includes Berio’s virtuosic Sequenza VIII for solo violin, John Mackey’s Breakdown Tango, and Jonathan Kolm’s Trio for Clarinet, Cello, Piano. But regardless of what style or era the music is from, the concert experience will be firmly rooted in the 21st century as IonSound Project invites audience members to be their collaborators through social media interactions during the performance.

“Please Turn Your Cell Phones ON” will feature live social media feeds through facebook, instagram, and twitter, so that audience members can share reactions and responses in the moment. Stay tuned for announcements about contests and a call for photographs! If you don’t already do so, follow IonSound Project on facebook, instagram, and twitter for regular updates.

March 12, 2014 at 3:32 pm Comments (0)

PSO Premieres The Elements

February 7, 2014
8:00 pm
February 8, 2014
8:00 pm
February 9, 2014
2:30 pm

Heinz Hall


XKCD: The Elements

So many reasons you are not going to want to miss the PSO’s  premiere of The Elements this weekend, not the least of which is the post-concert opportunity to write indignant letters to Elizabeth Bloom and Mark Kanny about how disturbed you were by the exclusion of lithium. For instance.

All (or at least most) kidding aside, this is a big weekend in the Pittsburgh Symphony Orchestra’s year-long celebration of Pittsburgh composers. The Elements is a five movement work with movements contributed by Patrick Burke, Bomi Jang, Mathew Rosenblum, Reza Vali, and Amy Williams. Each composer’s piece will take as its theme one of the archaic elements such as earth, water, air, fire, and metal. No word yet on which composer has the Fifth Element.

The concert will also include Holst’s perennial favorite The Planets, and as if that’s not enough, the orchestra will project NASA video of our solar system during the performance. It’s no wonder the tickets have been selling pretty quickly, so if you haven’t gotten yours yet, don’t wait much longer.

February 5, 2014 at 1:16 pm Comments (0)

Seem to be having some down time…

working on it…

Update: OK, back up and running. Sorry about the blackout there. My hosting provider warned me it was about to switch everyone over to PHP 5.4 and that I should check for compatibility issues, but did I? I think we all know the answer to that. And now I know too that the beautiful water theme that has been installed on this site since the beginning isn’t supported anymore either, so the search for a new theme is on. Be looking for changes and updates in the near future. Just not tonight.



January 27, 2014 at 7:51 pm Comments (0)

ICYMI, Charles Ives Take Me Home


In case you missed it, City Theatre is running a very unique play through December 15, Charles Ives Take Me Home. I certainly can’t think of any other plays that feature the iconic iconoclast of American modernism as a main character and so Jessica Dickey’s play gets points for originality right from the start. The play delves into the relationship between a father who is devoted to music and a daughter who is devoted to basketball, with the figure of Ives as mediator who embodies passion about for both athletics and sports. With his well documented love for the game of baseball and his body of work, that sounds as original today as it did when he wrote it, Ives seems like the perfect choice for this dramatic conceit.

Charles Ives Take Me Home is playing at City Theatre through December 15. Go on over to the South Side and check it out.

November 30, 2013 at 2:40 pm Comments (0)

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