You still have a few hours to register for PNME’s free ArtDOG Salon taking place at CMU’s Alumni Hall on Thursday, October 2 at 8 p.m. You do need to register by the end of the day today (Sept. 30). Details are here, but just in case clicking on links makes you extra tired, the event will include a world premiere arrangement, featuring you, led by PNME’s new Director of Education Jennie Dorris, Lindsey Goodman performing works by Pittsburgh composers Eric Moe and Roger Dannenberg, and a performance by Linda Kernohan (aka Ms. Music Nerd) and new PNME Board member. Also, dessert!
You can register at the link above (I know, it’s so tiring to click…) or you can contact PNME director Pam Murchison at 412-316-5s71 or firstname.lastname@example.org.
Pittsburgh New Music Ensemble closes out its 2014 season with a performance of Arnold Schoenberg’s classic Pierrot Lunaire in combination with Kieren MacMillan’s Drunken Moon. The final installment in my series of video previews for the season features Kevin Noe and cellist Norbert Lewandowski in a very thoughtful discussion of why Pierrot continues to be such a compelling work and beyond that, how Pittsburgh New Music Ensemble seeks to contextualize contemporary music in order to facilitate deeper understanding and appreciation for the audience. The final concerts take place at 8 p.m. on Friday and Saturday at City Theatre. Be sure to catch them.
Pittsburgh New Music Ensemble’s 2014 season continues with the world premiere of a new commission by Ryan Anthony Francis for PNME and guitar virtuoso Mattias Jacobsson. The program also includes Amy Williams’ First Lines for flute and piano and a song cycle by Christopher Cerrone, I will learn to love a person, featuring soprano Lindsey Kesselman. The concerts take place Friday and Saturday nights at City Theatre at 8 p.m. PNME’s new executive director Pamela Murchison and percussionist Ian Rosenbaum gave me a preview of this weekend’s program.
Nathalie Shaw will give a solo showcase performance as part of Pittsburgh New Music Ensemble’s 2014 summer season. Her program will include both acoustic works by Alain Celo, David Stock, and Roger Zahab and electroacoustic works by French composer Sébastien Béranger and Mario Davidovsky. The concert takes place Wednesday, July 23 at City Theatre. Nathalie talked with me on PNME “media day” and here’s what she had to say about the program.
Here is a preview of week II of Pittsburgh New Music Ensemble’s 2014 season. Once again, I talked with Kevin Noe and Ian Rosenbaum about what we can look forward to for the next program which features a premiere by Ted Hearne, the winner of the most recent Harvey Gaul competition. The concerts take place on July 18 and 19 at City Theatre.
Your Summer New Music staycation is about to get started in earnest with the launch of Pittsburgh New Music Ensemble’s 2014 season. I met with members of PNME recently to hear their thoughts on the upcoming season and I’ll be sharing those conversations with you as the season progresses. The first installment features director Kevin Noe and percussionist Ian Rosenbaum on the first week’s program, titled “The Lost Traveler.” The program takes its name from Martin Bresnick’s composition, which is in turn derived from Williams Blake’s poem “To the Accuser Who is the God of this World.”
“Truly, my Satan, thou art but a Dunce,
And dost not know the Garment of the Man.
Every Harlot was a Virgin once,
Nor canst thou ever change Kate into Nan.
“Tho’ thou art Worship’d by the Names Divine
Of Jesus and Jehovah, thou are still
The Son of Morn in weary Night’s decline,
The lost Traveller’s Dream under the Hill.”
“The wine that only eyes can drink…” ~ Albert Giraud
A heart-sick woman in a late-night dive thinks she’s met the man of her dreams—only to discover that the river of love
can be a dangerous place to swim.
SHE: Lindsay Kesselman
HE: Timothy Jones
Directed by Kevin Noe
Kieren MacMillan: Drunken Moon
Arnold Schoenberg: Pierrot Lunair
Featuring a world premiere of a new commission by Ryan Anthony Francis for PNME and guitar virtuoso Mattias Jacobsson. Of the newly composed work, Francis writes:
“There is a natural intimacy to the guitar. It is an instrument a that invites you to lean closer, to listen more carefully, to have a dialogue between performer and listener. Likewise, the interactions between the guitar and other instruments are—to me—best when they have a delicacy and transparency, gently highlighting contrasts of tambour and articulation that emerge through
Amy Williams: First Lines
Christopher Cerrone: I will learn to love a person
Ryan Francis: Album for Guitar
The Cage Variations is a newly commissioned work from Ted Hearne constructed entirely from shards of music from contemporary American composers. Hearne melds, morphs and steals music from pre-existing works to create twelve variations on Charles Ives’ philosophical and hypnotic song “The Cage.” This colorful and prismatic program also includes each of the sampled works, in whole or in part, in its original form.
Ted Hearne: The Cage Variations
Anna Clyne: Rapture
Morton Feldman: Patterns in a Chromatic Field
Ted Hearne: Furtive Movements
Robert Honstein: Burst (from An Index of Possibility)
Molly Joyce: Blue Swell
Amy Beth Kirsten: Pirouette on a Moon Sliver
Alex Mincek: For Petr Kotik
Philip White: Interlude
Daniel Wohl: Fluctuations (from Corps Exquis)
Scott Wollschleger: Secret Machines No. 2 and 3
Scott Wollschleger: I Is Not Me