UPDATE: The Pittsburgh performances of Eve Apart have been postponed. From the Alia Musica announcement:
“Revised venue with new dates and times will be announced in October. All purchased tickets will be honored at those shows. If you would prefer to refund your tickets, please contact Alia Musica firstname.lastname@example.org or (412) 361-0194.”
Eve Apart is a new multi-media musical production that plumbs the era of Lilith and Lucifer and reimagines the Genesis story. Each act explores layered and primal themes of feminine power, infusing them with a stark and modern relevance.
Working on the original libretto by Pittsburgh writer Kip Soteres, composer Tim Hinck interweaves influences from prehistoric rhythms to lush neo-impressionism to high-tech, futuristic tones and ambient electronica. For the premiere tour, conductor Federico Garcia-De Castro leads a cast of Chattanooga and Pittsburgh performers and singers, featuring soprano Desiree Soteres, in performances in both cities.
Federico Garcia-De Castro kicks of the new season of Community Supported Art with with a performance of music for two pianos at the New Hazlett. Daniel Pesca will Join Federico as the duo performs his Livre pour Deux Pianos, along with music by Simon Eastwood and Alexander Borodin. Federico will also perform his new solo piano piece, Rendering.
Pittsburgh New Music Ensemble closes out its 2014 season with a performance of Arnold Schoenberg’s classic Pierrot Lunaire in combination with Kieren MacMillan’s Drunken Moon. The final installment in my series of video previews for the season features Kevin Noe and cellist Norbert Lewandowski in a very thoughtful discussion of why Pierrot continues to be such a compelling work and beyond that, how Pittsburgh New Music Ensemble seeks to contextualize contemporary music in order to facilitate deeper understanding and appreciation for the audience. The final concerts take place at 8 p.m. on Friday and Saturday at City Theatre. Be sure to catch them.
The Roger Zahab composed opera scenes known as Happy Hour will continue to pop up around local watering holes on tonight (Thursday) and Friday, and you can see the complete set in performances at the Twentieth Century Club on Saturday and Sunday. Details are in this P-G article and here.
Pittsburgh New Music Ensemble’s 2014 season continues with the world premiere of a new commission by Ryan Anthony Francis for PNME and guitar virtuoso Mattias Jacobsson. The program also includes Amy Williams’ First Lines for flute and piano and a song cycle by Christopher Cerrone, I will learn to love a person, featuring soprano Lindsey Kesselman. The concerts take place Friday and Saturday nights at City Theatre at 8 p.m. PNME’s new executive director Pamela Murchison and percussionist Ian Rosenbaum gave me a preview of this weekend’s program.
Nathalie Shaw will give a solo showcase performance as part of Pittsburgh New Music Ensemble’s 2014 summer season. Her program will include both acoustic works by Alain Celo, David Stock, and Roger Zahab and electroacoustic works by French composer Sébastien Béranger and Mario Davidovsky. The concert takes place Wednesday, July 23 at City Theatre. Nathalie talked with me on PNME “media day” and here’s what she had to say about the program.
Here is a preview of week II of Pittsburgh New Music Ensemble’s 2014 season. Once again, I talked with Kevin Noe and Ian Rosenbaum about what we can look forward to for the next program which features a premiere by Ted Hearne, the winner of the most recent Harvey Gaul competition. The concerts take place on July 18 and 19 at City Theatre.
Your Summer New Music staycation is about to get started in earnest with the launch of Pittsburgh New Music Ensemble’s 2014 season. I met with members of PNME recently to hear their thoughts on the upcoming season and I’ll be sharing those conversations with you as the season progresses. The first installment features director Kevin Noe and percussionist Ian Rosenbaum on the first week’s program, titled “The Lost Traveler.” The program takes its name from Martin Bresnick’s composition, which is in turn derived from Williams Blake’s poem “To the Accuser Who is the God of this World.”
“Truly, my Satan, thou art but a Dunce,
And dost not know the Garment of the Man.
Every Harlot was a Virgin once,
Nor canst thou ever change Kate into Nan.
“Tho’ thou art Worship’d by the Names Divine
Of Jesus and Jehovah, thou are still
The Son of Morn in weary Night’s decline,
The lost Traveller’s Dream under the Hill.”
Chamber Music Pittsburgh’s “Just Summer” series gets started off with a performance by ETHEL in a program they have titled “Grace.” I recently had the opportunity to Skype with ETHEL violist and founding member Ralph Farris about ETHEL and what makes them unique, the program, and encouraging performers to be more engaged in the creative aspect of their art. Check out the conversation below and come hear ETHEL at the Kelly Strayhorn this Thursday night.
Federico Garcia and Alia Musica Pittsburgh are about to unleash the massively engaging and sure to be spectacular Pittsburgh Festival of New Music, or as the kids are calling it, #laliapalooza. To help you keep the vasty offerings of this festival straight in your mind, Pittsburgh New Music Net is returning to its original format of having scintillating posts on the front page and a dedicated events calendar. But PFNM isn’t the only reason we’re going back to this format. Honestly, there is so much good new music coming your way this summer, we are going to keep it that way for the time being. That way you will know when great offerings form Opera Theater of Pittsburgh and Pittsburgh New Music Ensemble are happening too. Anyway, Events are that way ——–>